Original plan for St. Mary’s Cathedral with spire, circa 1853

On January 8, 1880, San Francisco’s beloved local character Emperor Norton dropped dead in front of Old St. Mary’s Cathedral. It was in some way the end of an era for the city and the cathedral of the Roman Catholic archdiocese.

The story began in 1851 when Bishop Joseph Sadoc Alemany arrived in California as bishop of Monterey-Los Angeles. He used the San Carlos presido chapel there as his pro-cathedral. In 1853 Alemany moved the pro-cathedral St. Francis Church on Vallejo Street when the Archdiocese of San Francisco was established. At the time, St. Francis and Mission Dolores were the only Catholic churches in the city. It was at St. Francis Church, then a small wooden structure, that Alemany was first welcomed as bishop. On that occasion, he spoke in English, Spanish and French; from the very beginning, ethnic diversity was a given in California.

Of course the cathedral for the diocese was to have been in Santa Barbara, but the grand plans of Bishop Thaddeus Amat never amounted to more than foundational stones being dragged to the proposed site. But plans were already afoot to build a great cathedral for San Francisco even as the archdiocese was established. The land was given by a prominent layman, John Sullivan, amid the usual criticism that the site was too far from the center of the city. Sullivan also gave land for Calvary Cemetery, St. Mary’s College on Larkin Street, Presentation Convent at Powell and Lombard, built Old St. Patrick (later the pro-cathedral) and dutifully supported many other Catholic institutions of the city. When Sullivan’s home was destroyed by fire in 1850, Bishop Alemany wrote him, “I can never forget the first $20 dollar gold piece I received in San Francisco was from your dear wife. Here is $5,000; take it, build up your houses. Repay me when you can.”

Architects William Crane and John England were retained to design the gothic revival church, originally envisioned to have a tall steeple, which was never completed. Many San Francisco residents were surprised when they answered a knock at the door to find the archbishop on their doorstep, asking for gifts to build St. Mary’s Cathedral; Alemany himself went door to door to raise the funds.

Old St. Mary’s Cathedal circa 1856

The foundation of St. Mary’s was begun and the cornerstone laid in 1853 at California and DuPont (now Grant Avenue) Streets. The stones for the foundation were cut and quarried in China. Brick was imported from New England around the horn, and local lumber was bought at highly inflated gold rush prices. To raise funds, pews were rented by auction, a common practice at the time.

Work continued feverishly through Christmas Eve of 1854, when workers were shooed out late in the evening so that the dedication could occur. The new cathedral was filled beyond capacity and a huge throng spilled out onto California Street, with rowdy San Franciscans literally hanging from the rafters of the unfinished church, their boots dangling above the crowded nave. A full orchestra provided the music for the dedication liturgy—Haydn’s Mass no. 3. Even without the steeple originally envisioned, St. Mary’s Cathedral was the tallest building west of the Mississippi and the pride of San Francisco. The full title of the church was the Cathedral of St. Mary of the Immaculate Conception; the first cathedral church in the world to bear that title, as the doctrine of the Immaculate Conception had been defined by Pius IX only 17 days before the cathedral’s dedication. It was the first church to be built as a cathedral in California.

Old St. Mary’s Cathedral circa 1870

As Civil War loomed, a controversy erupted in San Francisco over a practice that came to be known as the “flagging of churches.” The churches of the city competed with each other to raise enormous American flags to demonstrate their solidarity with the Union. This hyper-patriotic frenzy reached its peak on July 4, 1861. Newspaper editorials called on Archbishop Alemany to follow suit and display the flag in St. Mary’s Cathedral. Alemany refused. He felt the flag did not belong in a building dedicated to the worship of God.

As the city continued its exponential growth, it became apparent that a new cathedral was needed. Archbishop Alemany once again began raising funds for a new cathedral. His new coadjutor, Bishop Patrick Riordan, had been ordained bishop in Chicago in 1883. The weary Alemany—who had been begging for retirement for years—entrusted the bulk of the project to Riordan, who was named archbishop of San Francisco in 1884, much to Alemany’s relief. On May 24, 1885, Alemany wept as he celebrated his last mass at St. Mary’s Cathedral, and shortly thereafter he returned to his native Spain.

The second St. Mary’s Cathedral

The cornerstone for the new Romanesque Cathedral of St. Mary of the Assumption was laid in 1890 at the corner of Van Ness and O’Farrell in the Tenderloin District. The Chicago architectural firm of Egan and Prindeville designed the red-brick structure. Among their existing works is St. Paul’s Cathedral in Pittsburgh (1906). Archbishop Riordan declined to live in the humble two-room shack Alemany had called home, and moved to the rectory of St. John the Baptist on Eddy Street while construction of the new cathedral was underway. When the new cathedral was dedicated in 1891, that parish was suppressed and its territory became a part of the cathedral parish. Old St. Mary’s Cathedral was given to the Paulists in 1894 to run as a parish church.

The second St. Mary’s Cathedral

On the morning of April 18, 1906 an enormous earthquake shook the city. This singular event in California history wold destroy much of the city; what had not crumbled in the first temblor was likely destroyed by fires that raged throughout the city for four days. At Old St. Mary’s Cathedral, there was little damage; the cross and pediment fell from the tower, some finials fell inside, some buttresses were damaged. As a precaution, the sacred vessels, vestments and some furnishings were sent to residences on Nob Hill for safekeeping; a move that was to prove a mistake. About noon that day the flames begin to approach Old St. Mary’s. For several hours the faithful fought flames, but eventually they ran out of water and could only watch as the venerable church burned. Only the brick walls remained; the stained glass was melted and the marble high altar had turned to dust.

Old St. Mary’s Cathedral in ruins after the Great Earthquake and Fire of 1906

The new cathedral, however, had narrowly escaped destruction when the pastor and sexton climbed the tower to extinguish the flames that had broken out in the belfry. As one of the few remaining structures following the Great Earthquake and Fire, St. Mary’s Cathedral became a center of relief in the devastated city, feeding up to 2,000 people each day in the aftermath of the disaster.

Lines of hungry people up to one mile long form in front of St. Mary’s Cathedral after the Great Earthquake and Fire of 1906

It was decided that as the brick exterior of Old St. Mary’s was left largely intact after the earthquake and fire, the church would be rebuilt around the ruins. Thomas J. Welsh was retained as architect of the rebuilding. In 1909 the proto-cathedral was rededicated by Archbishop Riordan. A renovation in 1925 increased its capacity from 700 to 1300.

Interior of Old St. Mary’s after the 1925 remodeling

In 1902 the Chinese Mission was established at Old St. Mary’s, which was then in the middle of Chinatown–the first such outreach in the United States. English was taught to Chinese immigrants in the church basement and native Chinese sisters arrived to provide social services, healthcare, work for the unemployed, immigration assistance, and lunch service for children, all with the dedicated support of the Paulists.

Old St. Mary’s Cathedral in the middle of Chinatown

Both the proto-cathedral and the new cathedral on Van Ness continued to serve the city until September 6, 1962, when the new cathedral was destroyed by fire. The cathedra itself escaped destruction and was moved to Mission Dolores, where it remained until 1979, when it was placed in the chapel of Holy Cross Mausoleum in Colma.

As the “new” cathedral was destroyed, the city of San Francisco began its third effort to build a cathedral. It fell to Archbishop Joseph McGucken to construct what would become perhaps the most significant cathedral built in the United States in the 20th Century, high atop a hill above the intersection of Geary Boulevard and Gough Street in the Western Addition, overlooking the City of St. Francis. As principal architect, McGucken chose Pier Luigi Nervi, the eminent Italian modernist architect whose unique vision vivified the cathedral design, and Boston architect Pietro Belluschi, who worked with local architects Angus McSweeney, Paul A. Ryan and John Michael Lee.

The new Cathedral of St. Mary of the Assumption was dedicated on May 5, 1971 and includes in its complex a large plaza, high school, faculty residence, rectory, conference center, parish hall, a museum and underground parking. The hyperbolic paraboloid rises to the shape of a cross outlined in stained glass 189 feet high, the equivalent of an 18-story building—about the same height as Hagia Sophia in Istanbul. From the clear glass windows of the cathedral one may look out on a stunning panorama view of the entire city of St. Francis, a city whose symbol is a phoenix, the mythical bird who rose triumphant from the ashes.

On the steps of St. Mary’s Cathedral

Yesterday Francesco and I were in San José to witness the seating of Bishop Mary Gray-Reeves as the third bishop of the Diocese of El Camino Real. The seating of a bishop in the cathedra is a rite that goes back to ancient Christianity and is the official beginning of a bishop’s ministry in a diocese. Watch for Francesco to post some images soon.

Of course, the unusual aspect of this rite was that a woman was seated in the diocesan cathedra. Bishop Gray-Reeves was ordained on November 10, 2007 after she was elected the first woman to head a California Episcopal diocese. This historic event took place in a historic place, the venerable Trinity Cathedral in downtown San José. Trinity Cathedral is the oldest Episcopal cathedral church in California, the oldest Episcopal church in San José and the oldest church building in continuous use in that city. It proudly bears the designation of San José Historic City Landmark number 6.

The election, ordination and seating of Bishop Gray-Reeves is only the latest in a long history of pioneering initiatives by the Episcopal community of San José, which has always adopted innovative approaches to its growth.

In 1854, shortly after his ordination in New York to head the new missionary Diocese of California, California’s first Episcopal bishop William Ingraham Kip arrived at his diocesan seat of San Francisco. One of his first acts was to visit San José, where he conducted the first Episcopal service for a group at the Independent Presbyterian Church (later renamed First Presbyterian Church) on Second Street between St. John and Santa Clara streets. That church would become Trinity’s neighbor until it was destroyed by the 1906 earthquake.

First Presbyterian Church in ruins after the 1906 earthquake

Bishop Kip continued to make the arduous journey from San Francisco to serve the small Episcopal congregation of nine people in San José from time to time, until their first rector, Sylvester S. Etheridge, arrived to celebrate the First Sunday of Advent in 1860. The congregation organized as Trinity Church in 1861, holding services first in the firehouse on North Market Street and then in the City Hall.

Trinity was organized as a “free church,” meaning that all were welcome to attend without having to rent a seat as was the custom of the time. Soon the congregation began pioneering work among the African-American community of San José. An African-American member of Trinity Church who was among the first ordained from Trinity, Rev. Peter Cassey, established St. Philip’s Mission and Trinity members organized a Sunday school there for the children, with Bishop Kip going there for confirmations through 1871.

Among the first members of Trinity’s vestry was James W. Hammond, a retired sea captain skilled in the art of shipbuilding. He was to be a prominent lay leader and served as senior warden for 12 years. To him fell the responsibility of constructing a church building facing St. John Street at Second Street. Accordingly, the new Carpenter Gothic church was constructed by the shipbuilder’s art, and the first service was conducted there on the First Sunday of Advent, 1863. The church was consecrated by Bishop Kip in 1867.

Trinity Church, circa 1865

In 1871, church growth once again cast upon Captain Hammond construction responsibilities. His innovative solution was to cut the church in half, drag one half by horses ninety degrees to face Second Street and add a third arm. This radical architectural surgery resulted in the present church, ready for services by 1876. The church tower was completed in 1887 and a renovation undertaken in 1958.

Trinity Church, circa 1880

Trinity Church, circa 1887

Interior of Trinity Church, 1936

The pioneering spirit has prevailed at Trinity throughout its history, resulting in 10 area Episcopal congregations being formed from Trinity. In 1980, the Diocese of El Camino Real was carved out of the Diocese of California in 1980 to serve the counties of San Benito, San Luis Obispo, Santa Clara, Santa Cruz and Monterey — areas once connected by the historic El Camino Real, the “Royal Road” linking the missions of California. Trinity Church became the diocesan cathedral.

Small by the standards of other cathedrals, Trinity looms large in the heritage of the Episcopal Church in California.

A big tip of the biretta to Trinity’s enthusiastic dean, Very Rev. David Bird, to the cathedral clergy and staff for their unending hospitality, and to Bishop Mary Gray-Reeves for her participation and interest in our project.

Earthquakes play a major role in the history of California’s cathedrals. In the Great San Francisco Earthquake and Fire of 1906, among the thousands of buildings destroyed were Old St. Mary’s Cathedral (1854), St. Francis Pro-cathedral (1849) and the pro-cathedral predecessor of Grace Cathedral. The Loma Prieta earthquake of 1989 doomed Oakland’s Cathedral of St. Francis de Sales (1893) and San Francisco’s Greek Orthodox Annunciation Cathedral (1921) while the 1994 Northridge earthquake spelled the end for the Cathedral of St. Vibiana (1876) in Los Angeles and caused the Armenian diocese to abandon St. John Cathedral (1942) in Hollywood.

St. Francis Pro-cathedral and Old St. Mary’s Cathedral in ruins after the 1906 earthquake. Both were later rebuilt.

A statue of St. Emydius held a prominent place in the Cathedral of St. Vibiana. He is traditionally invoked against earthquakes. So what happened? Was Emydius asleep at the switch?

Emydius (also spelled Emidius or Emydigius) was a fourth-century German pagan who accepted Christianity. With a new convert’s zeal, he smashed a pagan idol in a temple in Rome. To save him from the authorities, Pope Marcellinus (or Marcellus I; the accounts are unclear) sent him into hiding as bishop for the region of Ascoli Piceno, where he was an effective missionary, baptizing many people. He was beheaded during the persecution under Diocletian. In 1703, the people of Ascoli Piceno invoked the protection of their first bishop during a violent earthquake, and gave him the credit when their city was left intact. Emydius became a popular saint in Los Angeles and San Francisco, for obvious reasons.

From the life of Emydius we learn something important about prayers of petition. First of all, the communion of saints is not a new pantheon of little gods with magical power over various natural events, or protectors we pray to so our lives may be more comfortable or prosperous. We ask the intercession of the saints in the same way we ask our living friends to pray for us; they pray to God, who alone has the power to intervene in human lives. More importantly, Emydius was a martyr. He believed there were more important things than just surviving or living a life free from hardship.

When faced with the witness of a martyr, we recall especially the petitionary attitude of Jesus in the Garden of Gethsemane the night he was arrested: “Father, if it is possible, let this cup pass by me. But if not, your will be done.” This is the proper Christian approach when we ask anything of God: resignation to the fact that we do not always know what is best. We must have a loving trust in God to accept what comes our way, knowing that God will always pull good from evil, triumph from tragedy, power from pain.

St. Mary’s Cathedral (1891; the second of three San Francisco Catholic cathedrals of that name) was spared devastation in the 1906 earthquake and became a relief center feeding 2,000 people a day in the aftermath of the disaster. It was finally destroyed by fire in 1962.

I was living in one of the Park La Brea towers (a large apartment complex in the Miracle Mile District) in 1994 when the Northridge quake hit. My apartment was a mess; furniture and bookshelves toppled, dishes and kitchen utensils covering the floor, hundreds of books strewn about, and plaster rubble all over everything. (My two cats were so traumatized they would not emerge from under the bed for two days.) I went downstairs, and there my neighbors began to gather — people I had never met who lived in my building, some of them I had never even seen.

Of course I knew what would happen, because we Angelenos are no strangers to catastrophe. Just like in the riots two years before, we sat down and talked, exchanged stories, then the food began to show up. Everybody brought whatever they had to eat to the park in front of our building and the food became common property. We brought cars around, turned on the car radios to find out what was happening in the rest of the city. We learned about each other, because we had to. There was no electricity, no water, no television, no Internet. We exchanged advice and experience from previous earthquakes and when it got dark we all brought down to the park whatever candles we had to sit up late into the night talking.

Now there were many people worse off than we were; some even died. The point of the story is that our faith in God doesn’t offer us a way out, but a way through. If we are attentive, we can even draw good from bad things that happen, with the grace of God and the prayers of St. Emydius.

On July 8, Francesco and I began our journey (with the able assistance of Jim Stewart) at the Cathedral of Our Lady of the Angels in downtown Los Angeles. We were fortunate that baptisms were taking place that day, and Msgr. Kevin Kostelnik, the cathedral pastor, graciously invited us to photograph that event as well. All the cathedral baptisms are done by full immersion, and Francesco got some amazing shots of that experience. We are also indebted to the cathedral deacon, Manny Martinez, fsp, who helped arrange our visit.

The Cathedral of Our Lady of the Angels was dedicated by Cardinal Roger Mahony in 2002. It replaced the former Cathedral of St. Vibiana (designed by Ezra Kysor), which was bult by Bishop Thaddeus Amat and dedicated by Archbishop Joseph Sadoc Alemany of San Francisco in 1876. The new cathedral was the culmination of nearly 100 years of attempts to construct a suitable cathedral for Los Angeles.

St. Vibiana Cathedral in an 1880 photograph

In 1876, the population of Los Angeles was only 9,000, and the cathedral could accommodate 1,000 people. By 1904, it was already apparent that a new cathedral was needed to meet the needs of the increasing population of the Diocese of Monterey-Los Angeles. In that year, Bishop Thomas Conaty petitioned the Holy See for permission to construct a new cathedral and demolish St. Vibiana. Permission was given, and a site was purchased on Ninth Street for the new cathedral, to be named in honor of Our Lady of Guadalupe. The Boston architectural firm of Maginnis, Walsh and Sullivan drew up plans for a Spanish Colonial cathedral. The economic depression of 1907, however, put a stop to the project. The Church of the Immaculate Conception was eventually built on this site. Bishop Conaty continued to seek ways to build a new cathedral, with one plan to locate it at the corner of Wilshire and Vermont.

Architect’s sketch of Bishop Conaty’s proposed cathedral for Ninth Street

In 1945, Archbishop John J. Cantwell announced that architects were at work designing a new cathedral for Wilshire Boulevard, to be named Our Lady of the Angels. The architect was to be Philip Hubert Frohman, principal architect of the Washington National Cathedral. This plan was eventually abandoned, and the site was sold to Farmers Insurance, whose national headquarters remains there at Wilshire and Rimpau in the Park Mile District.

Architect’s sketch of Archbishop Cantwell’s proposed cathedral for Wilshire Boulevard

When James Francis McIntyre became Archbishop of Los Angeles in 1948, he decided that building parishes and schools for the booming archdiocese was a more pressing need than the new cathedral. He wrote to all who had contributed to Cantwell’s cathedral fund, requesting permission to redirect their gifts to the vast building program that was necessary. McIntyre then presided over a phenomenal period of growth and building.

St. Vibiana Cathedral continued to serve Los Angeles during this time, undergoing several major renovations until the 1994 Northridge earthquake ended its nearly 120 years of service by rendering it unusable. Rather than undertaking expensive repairs and additional renovations to a cathedral that had already been inadequate to the needs of Los Angeles for several decades, Cardinal Roger Mahony decided to construct a new cathedral, and retained the prominent Spanish architect José Rafael Moneo to design it. Moneo was awarded the Pritzker Prize shortly after being commissioned to design the cathedral. The former cathedral was desanctified and later adapted for use as a performing arts and events venue.

With the construction of the new cathedral, Angelenos have a Mother Church consistent with the name of the city, which was founded in 1781 as El Pueblo de Nuestra Señora de los Ángeles (The City of Our Lady of the Angels), a name later shortened to Los Angeles.

Multiple tips of the biretta to the book Cathedral of Our Lady of the Angels by Msgr. Francis Weber, archdiocesan archivist.